"Eowave Ricochet is one fun module! Dynamic Trigs, quad-VCA with individual and sum outputs, quad decay envelope that can be "Linked" triggered at the end of the previous cycle, summed and cross-modulated.
This module is perfect for intricate percussive patterns. Add your favorite VCO and/or noise source, or use the built-in noise generator to get rolling rhythm, tight burst fills, and much much more.
The Ricochet can be expanded using the included jumper cable for twice the excitement.
C\
"The module's design is inspired by the way skipping stones bounce on the water, creating a versatile tool for crafting percussive sounds.
The exponential envelopes are specifically designed to generate dynamic percussive tones. The unique linking function connects the end of one envelope's decay to the trigger of the next, enabling the subsequent envelope to activate once the previous one ends. This innovative feature allows you to create ratcheted envelope.
A front-panel trimmer lets you adjust the threshold for triggering subsequent envelopes, while a rear header enables connecting two Ricochet modules together ,or linking the last envelope to the first.This feature transform the Ricochet to a weird sequencer where the steps length depend of the decay times.
Since Ricochet is fully analogic, trig inputs are velocity-sensitive, responding to a standard gates but also allowing attenuation to modify the envelope's velocity (you can play with the dynamic of your sound by attenuating the trigg input. Ricochet is also perfect to play with drum pads).
Each VCA features a gain control that can be pushed to achieve subtle saturation.
All envelopes and VCAs have separate outputs, but there are also mixed audio and envelope outputs. When an individual output is connected, it is removed from the mix. The decay modulation inputs are normalized between each other.
Last but not least, an analog noise generator is normalised to the first input, so you can use ricochet on it's own to create hi hat kind of sounds
MAIN FEATURES : - Fully analog design so everything is responsive to the amplitude - Unique linked envelopes feature - Compact 4 envelopes 4 VCAs module - Linkable to a second ricochet or looping back the last enveloppe to the first one
SOME APPLICATIONS : - Envelope generator - Drum shaper - Hi-hat - Clap envelope shaper( with short ratcheted envelopes) - Envelope sequencer - Trigg delay - Burst generator
TECHNICAL DETAILS: - Fully Analog design - 14hp - Skiff friendly - Reverse power protection"
"The Octatrack Performance Mixer 3.0 Template is a game-changer for live electronic music performers, offering an intuitive and meticulously crafted toolkit for creating dynamic and immersive live performances with your favorite drum machines and synthesizers. There are 20 all new effects not seen in any previous performance templates. With an 8-bar or 4-bar structure that syncs seamlessly to the Octatrack's clock or an external clocking source, this template provides a vast array of effects, including synced modulation, noise risers, comb filter risers, sidechain pumping, stutter effects, filters and more, all accessible with user-friendly controls. It empowers performers to build tension and deliver impactful drops effortlessly, while also offering the flexibility to customize compressors and fine-tune the sound to their liking. This template like the others before it is built around two input busses with discreet effects for both. Input A/B is your DRUM or PERCUSSION bus, and input C/D is your MELODIC bus. Each have there own separate compressor and freeze delays. Whether you're a seasoned artist or just starting your journey in electronic music, this template offers an inspiring and versatile platform to elevate your live performances and captivate your audience with mesmerizing soundscapes.
Update: 3rd video, pics, and details added below. Check with the dealers on the right for availability.
"The 'CIZZLE' is a dual digital 'phase distortion' VCO inspired by the classic Casio 'CZ' series synthesizers. It brings the specifics of 'CZ' style phase distortion (PD) synthesis into Eurorack with the inclusion of primary and secondary oscillator layering and detuning (with up to 8 voice chord generation), extended morphable PD wave generation algorithms, unique resonance wave generation, plus specific 'end of chain' ring modulation and noise modes that are key to the CZ sound.
The voices also feature built in VCAs and various modulation controls and inputs, a cv-able chord mode, tracking ability, triggered mode switching and can be output independently or mixed with stereo widening.
The 'CIZZLE' finally brings characteristic CZ style synthesis to Eurorack with a rich palette of sounds from mellow ambient tones, 90s Detroit Techno inspired chords, Reese style basses, and synth tones with unique faux resonance squelch."
Time Stamps:
0:00 - Intro
1:08 - Frequency Controls
4:20 - OSC A Controls
12:38 - OSC B Ring Mod
18:08 - OSC B Noise
23:30 - Chord Mode
28:57 - Patches - Acid Bassline
30:58 - Patches - Ambient Chords
32:46 - Patches - Beat
34:38 - Outro
"ALM / Busy Circuits invited artists Satoshi and Makoto, renowned Casio CZ synthesists, to the Clockface Modular shop and studio in Tokyo, Japan to try out the new ALM CIZZLE module. This short film documents the visit and provides a translated interview.
Satoshi and Makoto are a twin duo that received international acclaim in 2017 with the release of their debut album 'CZ-5000 Sounds and Sequences' on Safe Trip. In 2020, their follow up album "CZ-5000 Sounds and Sequences Vol. II” was released, solidifying their dedication to the Casio CZ synthesizer.
The new ALM CIZZLE is a dual digital 'phase distortion' VCO inspired by the classic Casio CZ series synthesizers. It brings the specifics of CZ style phase distortion (PD) synthesis into Eurorack with the inclusion of primary and secondary oscillator layering and detuning (with up to 8 voice chord generation), extended morphable PD wave generation algorithms, unique resonance wave generation, plus specific 'end of chain' ring modulation and noise modes that are key to the CZ sound. The CIZZLE is available now from fine ALM stockists worldwide.
"Cizzle is a Eurorack synth voice from ALM Busy Circuits based around Phase Distortion synthesis, which Casio pioneered in their CZ series back in the 1980s.
It contains two digital oscillators that would typically be combined and used as one voice, but you can also use them independently. Each oscillator can produce four-note chords and has its own VCA, so all you need is an envelope or two to start using this as a complete voice.
Chapters:
00:00 Intro
00:43 Patch previews
02:10 What is phase distortion?
02:48 Cizzle overview
06:27 Deep house chords
09:34 Ring mod electro synth
12:34 Sweeping synth arpeggios
13:56 Jacking house loops
16:22 Two separate voices
18:12 Dual stepped modulation
20:16 Chord progression sequencing
23:06 Freaky techno loops
The ’CIZZLE’ is a dual digital ’phase distortion’ VCO inspired by the classic Casio ’CZ’ series synthesizers. It brings the specifics of ’CZ’ style phase distortion (PD) synthesis into Eurorack with the inclusion of primary and secondary oscillator layering and detuning (with up to 8-voice chord generation), extended morphable PD wave generation algorithms, unique resonance wave generation, plus specific ’end of chain’ ring modulation and noise modes that are key to the CZ sound.
The voices also feature built in VCAs and various modulation controls and inputs, a cv-able chord mode, tracking ability, triggered mode switching and can be output independently or mixed with stereo widening.
The ’CIZZLE’ finally brings characteristic CZ style synthesis to Eurorack with a rich palette of sounds from mellow ambient tones, 90s Detroit Techno inspired chords, Reese style basses, and synth tones with unique faux resonance squelch.
Feature List → Dual phase distortion VCO with direct and voltage controlled parameters.
→ Easy, quick and accurate tuning via an encoder control.
→ 9 morphing phase distortion ’Algorithms’ (Osc A) with direct and CV control.
→ PD Offset ’Shape’ with direct and CV control.
→ Unique CZ resonance waveform (Osc B) with direct and CV control.
→ Multiple Osc B modes; Rez, Ring Mod, and Noise based on classic CZ synthesis.
→ Mode switchable via direct and trigger control.
→ Optional Osc B frequency tracking of Osc A with offset.
→ Voltage controlled chord mode with inversion and up to 8 voices.
→ Dedicated oscillator output level VCAs.
→ Separate dual or mixed outputs with stereo widening effect.
→ Skiff friendly with reverse power protection.
→ 2 Year Warranty.
→ Made in England.
Ideal For
→ Flexible and precise primary digital voice duties in a Eurorack system.
"**This is technically a preorder but modules should ship by the end of the year, we should also have pictures of the silver version by Dec 18th**
The Nibbler is a four bit digital accumulator based on CMOS logic. This means that it counts in binary from zero to fifteen, with inputs and outputs for individual bits as well as stepped voltage outputs (digital to analog converters). It does this with individual logic chips instead of a CPU.
The concept here is that counting in binary (and its expression in bits) is inherently musical, and with slow clock speeds we can use it to create both rhythms and modulation voltages (or melodies). At audio rate we can generate subharmonics and modem-like sounds (or noise).
Features
5 rhythmically related gate outputs (or audio rate square waves) 2 stepped voltage outputs Second stepped voltage has selectable phase offset Cherry MX Brown switch for reset 4 gate inputs for modulation Chainable using carry in and out Reset input can be used as hard sync at audio rate Subtract input can add variation to sequences Synchronous and asynchronous output modes Shift register functionality CMOS logic deisgn 12 HP Skiff friendly 28mm depth (35mm including cables) POWER DRAW: +12V 37mA, -12V 17mA"
"Duo_ is a Modular Synth with portable case, compact design and pure analog sound. No pre-connection and a 80-patchbay jacks you can basically create everything, but the charm are the complex patches for extremely unusual modulations, clicks, bleeps & laboratory sound, anyway is possible make fat bass lines, leads or the characteristic retro sound of Vintage Synths. It´s a friendly start in the world of modulars, but also is a good complement to your system!
Features:
Pure Analogue Voice Circuitry 2 VCO (Saw, Triangle, Square, sine, PWM, Sync input & 3 CV inputs) 2 VCF (Each with 3 CV inputs) VCF 1 (24dB Low Pass Filter) VCF 2 (Variable Filter with independent outputs LPF/HPF/BPF) 2 VCA (Lin & Log response each with 2 CV inputs) 2 Envelope Generators AD (1 gate input for each EG) VCLFO (Voltage Controlled LFO, 5 independent outputs, PWM & 3 CV inputs) Sample & Hold (2 outputs, Portamento, Clock input, Gate & Trigger outputs) Noise Generator (White, Grainy, Roaring & Digital) Mixer (4 Channels & 1 output) 3 Voltage distributors (each with 1 input & 4 outputs) Portable Wooden Case & aluminum faceplate Patchbay (Mini jacks 3.5mm) Voltage Input AC120V-260V"
"Quick: Here's an inspiring and handy rhythm-making feature of the Ample synth!
Patch the built-in noise (snare) into one of Ample's audio-ins, adjust the pattern to taste, and then use the patch outputs (16ths) to your hats and your kick of choice (4/4).
These can be patched to other analogue synths, eurorack, or other compatible sound sources.
Having ready-to-go patterns at your fingertips is useful while using Ample with your modular or other synthesizers.
THE BEST DESKTOP SYNTH OF ALL Ample combines the best elements of several of our recent products.
-The sound elements of Fusebox
-Jack patch points of Concussor Eurorack
-Patch pin matrix of Vostok
-Echo from Dr Strangelove
-Sequencer and CV touch pads of Generator
It shares all this yet still has its own sound!
Ample can be as complex or as simple as you want it to be
We have given this synth a large and diverse number of controls, that alongside the patch sockets, will give even the best and most experienced synthesist endless possibilities.
We have presented the controls in a user-friendly and familiar synth layout that, together with this manual and other resources, enables even the new user to get great sounds."
Playlist: (you can use the player controls to skip around)
1. Synthfest UK 23: Sequential - Trigon 6 Desktop
At SynthFest UK 2023, we had the opportunity to chat with Chris from Sequential, a part of the Focusrite group. Chris introduced us to the Trigon 6 Desktop, the latest addition to Sequential's synthesizer lineup. This compact desktop version of the Trigon 6 packs a powerful punch, offering three oscillators and a distinctive Dave Smith ladder filter. Designed for those seeking a space-saving solution without compromising on sound quality, the Trigon 6 Desktop retains all the features of its larger sibling, including patch recall, a versatile effects section with various modulation possibilities, and the distinctive feedback control that allows you to sculpt sub-harmonic richness.
At Synthfest UK 2023, we caught up with Calc from Sequential, and he gave us the lowdown on the Prophet X. Now, you might be thinking, Prophet X? Haven't we seen that before? Well, you're right, but this hybrid instrument has been quietly making waves in the music world. It combines digital and analog elements, with digital oscillators and a unique twist in the form of multi-sample-based instruments. Yes, you heard that right, it's not just your run-of-the-mill synth; it's a full-on sampler too, boasting an impressive 50 gigabytes of memory for your custom samples. You can treat it like a rompler, a sample player, or even use those samples as oscillators, creating a whole new realm of sonic possibilities.
Plus, it's packed with stereo goodness, allowing you to explore a wide soundstage with ease. It's not your typical synth, and that's what makes its a favourute of Calc's
"A festival of Knobs, Buttons and Discussions, laid out over 4 warehouse rooms and an outdoor stage at the new Document venue in the heart of Bristol.
Machina Bristronica is back for 2023. Better, stronger, faster. We have the technology.
Join us on Saturday 30th September for a full day and evening of synthesizer stalls, panel talks, live hardware performances, DIY modular workshops, music production and performance training, Friendly Records DJ sets and the Escher Music Connection showcase.
// Flying in from all corners of the hardware galaxy a host of a amazing brands and makers are coming to show their latest creations.
Around the main exhibition hall you’ll find stacks of synthesisers, sound software, modular makers, drum machines, case builders, local projects and effects units spanning the biggest names in the game alongside plenty of unique and unusual independent designers.
Doors Open 11:30 – 18:00
// A full day of live hardware electronics, spanning a wide range of genres from club ready sonics to sprawling experimentalism. Spotlighting some of the best Bristol artists alongside a stacked lineup of special guests from far and wide on a high quality sound system. Alongside the audio there’ll be live visual artists performing all day. Accentuating it all the room will have a specially fitted audio and visual reactive lighting installation.
Live Performances 11:30 – 22:00
>>DIY WORKSHOPS________
// “Roll up, roll up! All ye wielders of the solder wand, bedroom builders and hardware hackers – we’ve got you covered at Machina Bristronica this year! Join us in the DIY AREA where you can build top notch hardware with assistance from the designers themselves. With everything from desktop noise machines to eurorack modules and tape loop workshops.
We’ve got local workshops from Bristol Communal Modular and Beepboop Electronics; international machines by Jolin Lab, Error Instruments, Befaco and Zlob Modular ;and UK DIY heroes Thonk and Music Thing Modular linking up for a special TBA workshop with something new in the pipeline.
PLEASE NOTE FESTIVAL TICKET(S) ARE STILL NEEDED FOR EVENT ACCESS. DIY TICKETS ARE A SEPARATE PURCHASE."
"Unconcise demo of a Trilobite triple VCO (Moog 204D) processed by an og ARP Axxe mkII (in mkI cabinet), with that often neglected 4075 VCF... which does sound exceptionally well?! This ARP is considered for sale though :) For the FM patches I plugged one of the VCOs output into the FM in of one other. And the retrig mode it's the Arp Repeat switch enabled!
Sorry for the weird video edit with those scopes surrounding the Arp, I had a terrible mess around which I didn't consider until I finished the video... Too late ha, I only found that way to hide it x))"
"TRILOBITE is a triple saw-core oscillator analogue module inspired by the original Moog schematics and made with thru-hole components only
The module features:
– 4 octave ranges
– 3 waveforms (triangle, square, saw),
– UNISON (FINE) control with a range of +/- 12 semi-tones
– Independent LIN FM and PWM inputs with attenuators
– White noise source
Independent audio output is provided for each oscillator. A mixed output is also present featuring a level control.
We are recommend to use independent audio outputs to avoid distortion, in this case MiX output works as WHITE NOISE source with attenuator.
V/oct input of the first oscillator is normalled to all 3 oscillators, so OSC2 and OSC3 would track it too, however, connecting other signals to the other V/oct inputs make each input independent.
"Sending - a digitally controlled analog delay (the long awaited sequel).
Introduction from the manual: 'Sending is an analog delay that melds the archaic voice of bucket brigade devices with a fully modern toolbox of digital control. It embraces the character and idiosyncrasies of the medium while delivering high quality sound and performance-friendly features worthy of the modern musician. Using two MN3005 BBDs and comprehensive analog processing techniques, Sending can delay a sound up to a full second without clock noise, and it can be pushed to even longer times for compelling sonic degradation. At the input is a discrete preamplifier capable of subtle enhancement or warm saturation that melds perfectly with the delay line. A dual-mode feedback filter can be used to shape the repeats for deep pulses or dub-style bright echoes. Its flexible LFO engine can modulate the delay time to create gentle movement or musical chaos. Conducting this analog ensemble is a 32-bit, 100MHz processor granting deep user control, preset functionality, and MIDI access to every parameter. Sending is our love letter to the antiquated yet enduring technology of analog delay.'
I'm back with a new demo using 'mostly' synths to demonstrate the new Sending by EAE. Gear used: Arturia Minifreak, Roland R70, Polyend Tracker, Gretsch Guitar, EAE - Halberd, Model Fet, Death By Audio - Disturbance, GFI System - Specular Tempus, Eurorack.
00:00 sent out to sea 00:57 control overview 02:04 bypass modes 02:50 arp clock blips 03:47 drum machine 04:32 save preset 04:47 groovebox 06:02 guitar + fx loop 07:03 flanged delay 07:40 ascend reverb 08:46 high gain mod feedback 10:06 sending chaotic messages 10:53 midi modular 12:34 sent home
Art used from the original Sending and sticker by Sarah Bogosh #analog #delay #experiment"
Circle of sound – spilling the Brinta – follow the white dot – banged grain.
Samples three-and-a-half seconds of audio (one moment) cuts it into thousands of pieces. Little grains of sound. You can mix the sound grains in speed and order. You re-arrangement it.
When the red dot is running around the circle it is recording. Your sample becomes the circle. Blue for high frequency, green for mid and red for low. Colours mix accordingly and when they all come together in white-light, you have white-noise. Once your sample is recorded the white dot can run around the circle, spawning little golden heads playing your sample. The size of the grain is how long your play head exists.
"The Triple Cross crossfader/panner module from AJH Synth & Tone Science makes a lot of things possible. Here it is being used as a voltage-controlled switch, to change between 4 incoming sounds, and send the chosen sound to its output. This means it can serve as a very convenient method of changing between multiple sounds, perhaps in a live performance, moving between different patches manually using the sturdy, tweaking-friendly controls. However, this behaviour can also be controlled by CV, so the process can be automated, and controlled by other modules, keyboards and sequencers.
In this patch a 4-channel/track step sequencer is being used - the excellent Erica Synths Black Sequencer. One sequencer track is used to send a melody to the VCOs and Gates to trigger the envelope generator. The other 3 tracks are controlling the 3 channels of the Triple Cross, to pan the Fade control hard left or right, like junctions on a railway track, so that the exact sound of our choosing arrives at the module's output, precisely when we want it.
Various combinations of the 3 VCOs, white noise, sub-octaves/sub-basses from the Ring SM, and animated sawtooths from the Wave Swarm are sent to 4 separate filters: The Transistor Ladder Filter, Sonic XV Diode filter, and both filters of the Gemini 2412 Dual VCF. A single Dual Contour Generator is controlling the VCA level, and the frequency of all 4 VCFs. The Sonic XV is also using its wave folder to generate a more unusual timbre from just a single triangle wave.
The Triple Cross is a collaboration between AJH Synth and Ian Boddy of the Tone Science record label. It is an exceptionally useful module, being suitable for use with both audio, and control voltages, since it is DC-coupled. More videos featuring this, and other modules in the future.
Tone Science Label: https://dinrecords.bandcamp.com
The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.
Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself."
"Synclavier Digital releases regenerated Synclavier® II trailblazer as timeless Regen desktop synthesizer bolstered by present-day DSP developments
NOVA SCOTIA, CANADA: soft-launched late last year to widespread critical acclaim at the Synthplex® synthesizer expo and electronic music festival hosted at the Marriott Convention Center in Burbank, CA, USA with pre-orders opening for fulfilment in 2023, timeless synthesis product manufacturer Synclavier Digital is proud to announce wider availability of Regen — released as a desktop synthesizer that is, in short, a real regeneration of New England Digital’s seminal Synclavier® II digital synthesizer that took the pro audio industry by storm when introduced in its initial incarnation in 1980 (evolving beyond that to blaze more technological trails with polyphonic sampling and, ultimately, DAW — Digital Audio Workstation — capabilities well before that term was invented, even), extended and enhanced to take advantage of the increased computing power available today to make it as compelling in a modern setting as the prohibitively pricey original did during its time (finding favour with top-tier film composers, record producers, and recording artists), while the considerable cost and size reductions associated with Regen’s present-day design criteria conversely position it well within reach of (almost) anyone — as of June 29…
[Note: you can find additional user videos futher below]
"The Roland S-1 Tweak Synth is a powerhouse micro polysynth that merges the legendary tones of the SH-101 with futuristic tools for the modern creator. Get reacquainted with the snappy bass tones and expressive leads brought to life in exquisite detail by our Analog Circuit Behavior technology. Then tap into a world of new creative possibilities with expanded four-voice polyphony and an array of innovative features, including cutting-edge wave manipulation, advanced sequencing, and unique performance features.
In this video, Dustin Good dives into the S-1 features, capabilities, sounds, and more.
0:00 – Introduction and Overview
1:32 – Sounds
2:01 – Basic Sound Design
2:35 – OSC Draw
3:13 – OSC Chop
3:44 – Riser
4:06 – Effects
4:33 – Sequencer
5:06 – Sub Steps
5:36 – Probability and Motion Recording
6:25 – Arpeggiator
6:54 - Performance Tools – Step Loop, Transpose, D-Motion
7:53 - Connectivity and Portability
Build from square, saw, sub, and noise oscillators and mono, poly, unison, and chord modes. Craft custom waveshapes with OSC Drawing. Dice sounds with OSC Chop to produce a labyrinth of overtones and metallic timbres. And use the noise oscillator as an independent riser to add sweeps and pulsing sound effects for transitions and dramatic effect.
Bring programming and performances to life with a 64-step sequencer, motion recording, and D-Motion. And humanize patterns with Probability, ratchet tones with Sub Steps, and create on-the-fly fills with Step Loop.
Sync the S-1 Tweak Synth with the rest of the AIRA Compact gang for a highly jammable micro-studio in perfect sonic symphony. Chain them together or connect with MIDI gear, computers, and music apps to expand your setup. Just power on, hit play, and go with the flow."
"We've partnered with Black Corporation to offer a highly limited-edition ISE-NIN, featuring the colors of the Ukrainian flag with all proceeds from this sale going towards non-military charity efforts in Ukraine. This instrument is just one of five in this color way, and is sure to deliver the beloved sounds of the Roland Jupiter-8.
Not simply a clone or revival of a classic instrument, Black Corporation's ISE-NIN is a desktop-friendly analog synthesizer inspired by the legendary Roland Jupiter-8 that truly aims for the stars. Adorned with sliders and vivid orange labeling straight out of the 1980s, the ISE-NIN is true to the original with eight voices loaded up with truly analog VCOs and liquidy lowpass and highpass filters. But in true Black Corp. fashion, they're not content with conceptualizing a synth in 2021 and leaving its capabilities dampened by technology from over 40 years ago.
Dual oscillators per-voice allow for synthesists to craft the rich textures harkening back to the golden age of analog synthesizers, offering the ability to freely mix and match waveforms (or noise on VCO-2). One or both VCOs can be modulated by the LFO or one of the ADSR envelope generators, affording the implementation of vibrato or other special pitch effects into patches, while VCO-1 provides a VCO-2 cross-modulation option, and VCO-2 can sync to oscillator one. Before heading into the filters, both VCOs are summed in a crossfade level control—this approach allows, for example, one oscillator to provide the harmonic, musical bed for a patch, while the other can be dialed in to a relatively fine amount for additional grit, bite, or special effect.
Some say that the filter is what makes a synthesizer special, and if the sound of the Jupiter-8 is any indication, ISE-NIN is sure to win the hearts of many. A non-resonant highpass filter cleans up the low end frequencies, but the main attraction is certainly the lowpass VCF—selectable 12 or 24dB/Oct slope, resonance all the way up to self-oscillation, key-tracking, velocity and aftertouch control, and more provide the means to sculpt the sonic spectrum with freedom. Dual ADSR envelope generators round out the onboard modulation options, but it's the deeper menu settings and external control capabilities that really open up the ISE-NIN.
Like the other instruments from Black Corporation, ISE-NIN is MPE compatible, meaning that pairing it up with a compatible DAW or a controller like the Linnstrument or QuNexus unlocks the magic of per-note pitch bend and expression, polyphonic aftertouch, and more. But if that weren't enough, ISE-NIN can split or layer two presets at once, and while this reduces polyphony down to four voices per patch, the musical potential vastly outweighs the polyphonic limitations. Pair this with the onboard arpeggiator and extensive microtuning options compatible with ODDSound's MTS-ESP, and this is a synth that pushes analog sounds in territories never before imagined.
If you find yourself enchanted by the sounds of classic analog instruments but will only settle for the flexibility of a modern synthesizer, ISE-NIN just might be the thriller of a synth needed for your studio."
